Worklife with Molly Graham - Bryce Dallas Howard on the realities of being handed a head start
Summary
本期节目中,主持人莫莉·格雷厄姆与演员兼导演布莱丝·达拉斯·霍华德坦诚讨论了出身名门所带来的机会、羞耻感与身份困惑。两人回忆,父母为了避免她们显得炫耀或被宠坏,曾刻意淡化家庭的财富、关系和影响力,但这也让她们很晚才真正看清自己的优势。霍华德指出,特权不仅是经济保障等显性资源,还包括行业规则、人脉、知识和他人预先给予的信任,而这些微小优势会随着时间不断累积。她借助一项“被操纵的《大富翁》游戏”研究说明,人们即使明知规则偏向自己,也很容易把成功归功于个人策略和能力。谈到成功,她认为个人无法控制后世如何定义自己的遗产,却可以控制当下的贡献、行动以及是否帮助所在的社区。她也赞赏父亲朗·霍华德以谦逊、好奇和尊重面对工作与批评,并强调父母在日常行为中展现的品格本身就是一种会传递给下一代的巨大优势。对于“裙带宝宝”这个带有刺痛感的称呼,她认为它能迫使娱乐业正视机会分配不平等,而拥有特权的人不必沉溺于内疚或假装白手起家,更应利用自己的信任、试错空间和资源为他人搭建阶梯。最终,两人的共识是:人无法选择自己的出身,但可以选择如何使用手中的条件,并把独特的经验和机会分享给更多人。
Highlights
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Disclosing who you were related to, disclosing the access that you had, disclosing privilege, disclosing wealth was considered to be really rude. And so my parents didn't tell us. They sort of constructed a situation where, that was false.
公开你和谁有亲属关系、你拥有什么渠道、你的特权和财富,在当时都被认为非常失礼。所以父母没有告诉我们真实情况,反而营造出一种并不真实的处境。
Shows how silence can obscure privilege -
This is the average working actor gets one in every 64 auditions. Oh, you think that you should quit after 10 auditions? Dude, that's normal for successful people. That's what the working actors experience.
普通职业演员平均每参加64次试镜才会成功一次。你觉得试了10次就该放弃吗?这对成功人士来说很正常,这就是职业演员真实的经历。
Reveals the hidden value of insider knowledge -
The students knew that the game was rigged. Like you got twice as many rolls, you got three times as much money. And yet when they were asked about why did they win, they never cited that they had those advantages.
学生们知道游戏被动过手脚,比如有人能掷两倍次数的骰子、拿到三倍的钱。然而当他们被问为什么获胜时,却从未提到自己拥有这些优势。
A striking experiment on self-serving bias -
Legacy is totally out of your control. Legacy is something that other people determine, but what is in your control is contribution and your actions around that.
身后留下怎样的名声完全不由你控制,那是别人决定的;但你能控制的是自己的贡献,以及围绕贡献采取的行动。
Reframes success around controllable contribution -
The term nepo baby is perfect. It needs to sting. There are huge systemic inequalities within industries, in particular the entertainment industry, that have not been looked at and evaluated and torn down.
“裙带宝宝”这个词非常准确,它就应该让人感到刺痛。许多行业,尤其是娱乐业,存在巨大的系统性不平等,却一直没有被认真审视、评估和拆除。
Boldly embraces a stigmatizing label as reform pressure
Full transcript
If you're struggling to keep up with all the latest innovations in tech and what they'll mean for your life, TED Tech has you covered. Get ahead of the curve with digestible downloads on some of the biggest ideas in technology, from AI and virtual reality to clean tech. Find TED Tech wherever you get your podcasts. The term nepo baby is perfect. And I'm going to share, I'm going to share why. Now this is good, polarizing, and I'm going to say why it's perfect for me, for me. Tell me.
It needs to sting. So I'm going to tell you something today that I don't talk about very often. I was raised in a very famous family. My grandmother was Catherine Graham. She ran the Washington Post for almost 30 years, the first woman to ever run a Fortune 500 company, leading it through the Pentagon Papers and Watergate. My dad, Don Graham, took over for her and ran the post until he sold it to Jeff Bezos in 2013.
Between him and my grandmother, I grew up getting to watch two completely different, extraordinary examples of leadership up close. And I've spent a lot of my adult life, especially at work, trying to prove I'm good at what I do, completely separate from all the family stuff. One of the biggest struggles in both my work and my life has been trying to figure out what to do with all of this. How do I forge my own identity while also making peace with the privilege I was born into?
But today's guest, Bryce Dallas Howard, said something that really made me think. Bryce is a third generation Hollywood name. Her father is Ron Howard, an actor on happy days who then went on to become one of the most successful directors of the last 40 years, directing movies like Apollo 13 and the Da Vinci Code. Bryce is an incredibly successful actress and director in her own right. And she started her career doing something similar to me, trying to prove she earned it.
separate from all of that. When she applied to NYU's theater program, she applied under the name Bryce Dallas, dropping Howard entirely so no one would know whose daughter she was. She went on to build a career that speaks for itself. She's played Claire Deering in the Jurassic World franchise, earned a Golden Globe nomination for As You Like It, won a SAG Award with the cast of The Help. But now, she leads her career acting and directing proudly under the name Bryce Dallas.
Howard. She's both proven that she's successful in her own right, and she's embraced her identity as a Howard. I came into this conversation thinking we were going to talk about how you define and feel success when you come from so much privilege, and there is such a long shadow of success in your family. But I left it with a completely different question. I'm Molly Graham, and this is Work Life, where we untangle the messy human side of work.
Bryce Dallas Howard, welcome to Work Life. Oh, thank you. Thank you for having me. Thank you so much for doing this. I've been excited and a little terrified for this conversation for a while. Yeah. No, I'm very, very, very excited as well. And I admit...
I was like, oh, I'm not nervous at all. This is so great. I'm so excited. Like Molly's the perfect person to talk to about this. And then last night, I like could not sleep at all. And when I did sleep, I just had weird nightmares of me not being able to find my beta blockers, which I actually don't need for this conversation. But I was like, wow, that's, that's specific.
There's some stuff here. There's some anxiety there. There's some anxiety about anxiety there. Okay, so tell me, so my understanding is that your parents moved you out of Hollywood when you were five and intentionally to kind of like get you away from the industry or the bubble. There was an incident. I read something about this incident. Will you tell the story of the incident? Yeah, so I'm the oldest of four and the youngest hadn't been born yet and I was going to a preschool and I came home one day holding a script that someone had given me to give to my dad. And my mom was like, We're moving out of this industry town because that's really what it is. It's an industry town and The focus of the of the town is largely about ensuring that the industry succeeds and so you can't really begrudge someone's ambition or someone's Seeing an opportunity to to get in there, but my mom was like I'm gonna take my daughter out of this equation. Yeah, so it's funny because I
I grew up in the industry town, like my parents stayed in DC. And I had a similar experience, like a very vivid memory of a kid walking up to me on the playground saying, my parents told me I should be friends with you. Yeah. And it's so interesting to like, as like little kid, you know, you don't even know really what any of this means, but did that, did you really escape that in Connecticut or was it still kind of a part of your growing up story?
Well interesting you you mentioned that when I was in first grade when I was in Connecticut maybe the year after that second or third grade I was in Alice in Wonderland and Kids were cast multiple kids were cast for multiple parts So it was like you know there were like five Alice's and there were like three Cheshire cats and all of that kind of thing And I was one of the Cheshire cats, and I was really excited. And we had just all found out the casting, and I went into the bathroom, and I was in a stall, and I heard a girl who was one of the popular girls talking to a bunch of the other popular girls. And she said, oh, well, she only got that part because she's Ron Howard's daughter. And I remember, again, I felt shame because I could...
I could sense the kind of tone of the conversation. And I was like, oh, what did I do wrong? But it's not like I was wronged. And so that is a kind of interesting dynamic. So it's just sort of putting the pieces together. And then my parents, I mean, this is another thing that I think is interesting to talk about is when we're similar ages, we're like only a year apart, growing up, disclosing who you were related to, disclosing the access that you had, disclosing privilege, disclosing wealth was considered to be really rude. And so my parents didn't tell us. They sort of constructed a situation where, that was false.
where we were all really nervous. Like they, my mom would always say like, I have a bookkeeping degree. If something happened, you know, that Hollywood is very unstable. If something happens, I can always support the family with my bookkeeping degree. Like created these, these, a sense that we were, that we were less privileged than we were. And believed that not disclosing that would, would make us not be spoiled. And like what I did when, when I went to NYU is I didn't tell anybody and I didn't want anybody to know and it was a secret and it was because I felt like it was my responsibility to earn things on my own and that if people, people didn't know if I didn't disclose it, then they wouldn't know somehow or that it wouldn't count. And, and the reality is, is that.
There are so many micro and macro advantages with any kind of proximity to power and disclosure is really important. I think it's like disclosure of salary. Yeah. It was considered rude to disclosure of salary. Well, who is that really benefiting ultimately at the end of the day? And so it was interesting for me growing up.
kind of it dawning on me slowly, wait a second. I have access to a lot more stability and privilege and knowledge and successful people and people assuming I know things that maybe I don't even know, then most people I'm meeting. That was kind of an interesting dawning.
Literally listening to you talk through this you and I were raised in the same household It's pretty wild like everything from Where you started what you started talking about which is like all the things you were taught not to talk about you know like I I was taught basically all the same things like you don't tell the story like you don't tell the story about like oh my parents Like people are like what did you do this weekend? And it's like, you know, oh we like I don't know, we hung out not like, oh, we were at my grandmother's house and like such and such senator or president or whatever was there or like my parents had dinner at the White House. Like none, not, I feel like I spent my whole child editing, childhood editing my life, you know? And it sounds like, I mean, similarly like was raised by parents. And I'm so grateful that they raised me conscious of not being an asshole and not like shoving stuff in people's faces, but
It did come with a weird distortion field that I like emerged out of at some point, which is like part of what I heard you describing was like, I don't think I really understood my own standing and then my own privilege because of that. You know, I think I spent my whole childhood trying to prove that I was the same as everybody else. And that can create like a complicated relationship with it.
So I feel both ways about it. I don't know. I imagine you do too, where I'm both really grateful that I wasn't raised to flaunt it or something like that. But also, I think it made me confused about what to be proud of and what to be ashamed of or something like that too. Talk a little bit about deciding to go into acting and directing and also what that early...
phase felt like where you were in your dad's industry in one way or another. I mean, I was acting a lot in high school and high school plays. I loved being on movie sets, but I loved being part of the crew. And then I went to NYU and I was like, parents, you are not allowed to come to any plays. You gotta stay away. And then there came a point where I was like, I feel like people know.
And I'm being weird about this. Like my parents are great parents and they have a right to, like they're paying for my college education. Like they have a right to come to my place and see me be naked on stage for 45 minutes in my weird experimental place. I love so much. So it was kind of, there was definitely for myself, A maturity that i had to go through realizing like oh wow this is. This is coming from such a place of insecurity like you really. Knowing that you haven't earned the attention that you get from people being curious about. Your relationship and whether or not you're as talented as they are what do you look like and are you.
Jerk or are you cool? I mean, you know, it's it's like I realized I was like I I need to and I need to own the reality and also acknowledge How grateful I am to be part of my family, huh? So did that actually happen for you in film school? Yeah, it a tish. Yeah, so you That early, sorry, this is envy that you're hearing coming through. That early, like in college, you said to yourself, like I'm a Howard and I need to, I need to like integrate that into my identity. How did you think about sort of like, okay, I'm gonna be a Howard, but also I'm doing my own thing and like what's mine and what's my family's? Does that make any sense? Yeah, totally.
I think because I was directly working towards getting jobs in an industry that my family had been working in for at that point over half a century. And because it's context for the audience, it's not just my dad. My grandparents, my dad's parents became actors when they were very young, went out to Los Angeles and saved up.
My grandfather was was working and and would bring my dad with him to auditions and my dad would kind of mimic my grandfather and People noticed that and they were like who is that adorable boy doing your lines? And so he he did an audition for something and my grandparents were were like Ronnie do you want to do this like they were very They were just really excellent at at treating it professionally and giving my dad and then also my uncle, who's an actor as well, agency. And so my dad became a child actor only because his parents were in the industry. My dad was out earning my grandfather by the time he was five years old, but it was the same industry. I think for me, going to school and studying the very thing that my family had been doing for 50 years,
it was it was obvious that like the first step of that was realizing the advantage. Yeah. Was being like, whoa, folks have kind of like no idea what the map of this industry is. And we all, I mean, we all as people have maps to circumstances that others don't. You know, there are there are unwritten rules everywhere. I worked at a a restaurant in high school and like, I'll never forget like this, like the head server being like on the first day being like, here's the deal. Like these are the things that took me years to learn. And I'm about to share them with you 15 year old girl who's going to be running the cash register. And I was like, dude, thank you so, so, so, so much. I first saw all of the advantages that I had.
because there were things that I knew like, oh, this is normal and this is not. This is the average working actor gets one in every 64 auditions. Oh, you think that you should quit after 10 auditions? Oh, your parents are telling you that you don't have what it takes because you've been auditioning for a year and you haven't gotten anything? Dude, that's normal for successful people. That's what the working actors experience.
And that's just one example. My grandmother told me that stat when I was 16 years old. And it's such a, like it's such a mental game. Yeah. Going in and auditioning, going on set and needing to perform, pitching something, uh, needing to make your case to finance years. Confidence is pretty crucial.
And confidence is often earned. It's because you go through something and you're like, yeah, no, I know what this is. I've inherited so much confidence. I've inherited it. I've earned some too, because I'm 45 now. But in the beginning, when I was in college, I was like, oh, wow. Even what's being taught, folks are not being prepared for this industry.
They're not being prepared to succeed. They are being set up to go to graduate school. Yeah, and small few of them will actually be able to and this is not cool. This is not fair. This is not how you sustain a healthy industry and and it is possible to actively create pathways so that it's not just people who have access to exclusive insider tips who then are able to make these key, key, key moves at key moments that then leverages them. Start your day with Marketplace Morning Report and me, Kimberly Adams. In 10 minutes or less, I'll explain the day's economic news, why it matters, and what it means for the way you live and work. Tune in each weekday morning for independent award-winning journalism that brings clarity to the economy.
Listen to Marketplace Morning Report on your favorite podcast app. One of the things I'm so conscious of is how much privilege I've had and how much it's affected my life. It's something I wrestle with in a lot of ways. But it's not just the really obvious versions that I think most people think about, which is like...
not having to worry about money, right? Not having to worry about things from food on the table all the way to student debt, you know? But it's also the rooms that you were in growing up, right? And from like the people that you got to meet that were a normal part of your life. I remember the story that I read about Tom Cruise entertaining you as a kid. Oh, yes, did lots of backflips. And I have like the, you know, I use Warren Buffett's first name because he was a big part of our lives growing up. And, you know, all the way to the conversations you got to be a part of, whether you got to witness them or your parents were talking about at the dinner table. And all of that is a kind of privilege bundled up together. So, like, I'm very curious to hear how you think about it. Yeah. I mean...
Yes, yes, yes, and yes some more. And there are the privileges that like you said, like there are the privileges that are obvious that we're aware of. And I kind of think of those as like macro privileges and then or macro advantages. And then there are these, these micro privileges and micro advantages that compound over time. And we're, we're wired to not see it.
We're wired to somehow think that we are responsible for the results that we've created when those results are good. Important. We want the credit. And I'll never forget, I learned about a study conducted by a gentleman named Paul Piff.
he had students play a rigged monopoly game. And the students knew that the game was rigged. Like it was like insanely rigged. Like you got like twice as many roles. You got three times as much money. Like there were the rules were in place were meant to absurdly favor one side versus the other based on a coin toss. So it had nothing to do with them. And.
what what he found what what what this what this study found again and again and again and again is that When of course they I mean the game was rigged for for certain people to win every single time and yet when they were asked about why did they win? They never cited that they had those advantages. They were like well my strategy Well, you see, I come from this background where, and that influenced my choices and therefore I won the game. It was like, no, you won the game because it was rigged. And there were also other things as well. Like they, there were pretzels at the table and they ate twice as much food as the other person. They ate loudly.
increasingly more and more loudly as they, as they were winning. They became kind of like disrespectful and rude. Um, they were told there was, they were left candy and they were told that the candy was there for children for a later study. If they wanted to help themselves to one, okay, but the children was there for the candy, the, the people who were in the winning position took twice as much candy. I mean, the study then went on to reveal things.
around cheating and dishonesty and the more wealth you had, I mean this is specifically focusing on economic wealth, the stingier you were and the more that you justified it, the less access to wealth you had, the more generous you were. And so people don't like to see their own privilege. They don't like to see their own advantage.
they want to believe if they ran a marathon and they won that marathon that they did it because of themselves. They don't want to learn that they started the marathon five minutes before everybody else. How do you think about success in light of sort of really owning and like embodying the advantage that you started with? Like how do you sort of fully own what's yours? Yeah.
That's a tricky one because it's not just that I'm a kid of a kid of. My parents have been together since they were 16 years old. My dad is like famously adorable. He's like a lovely human being. I heard that about him. Yeah, he's great. He's great. And so I've inherited a lot of the warmth that I've received, a lot of the warmth that he earned.
I don't know, it's just the ownership of it, what you were saying is that's the hard part because ownership is so weird, you know? Totally. Like we're all vessels for each other and it's all a symbiotic relationship and like receiving compliments, stuff like that. Like in my head I'm like, yeah, but you have no idea, the incredible.
support I've had in my life. So that's interesting because it kind of goes back to that girl in the bathroom being like, you only got the Cheshire Cat part because you're Ron Howard's daughter. Do you feel like that has followed you? Because it definitely has followed me. When I'm out in the world, when I'm doing things, when I feel like I'm always waiting for someone to say, yeah, but you only got that because of this or something like that. Or maybe that's just something I say to myself as well. Yeah. I mean, I say that to myself always.
always assume that others are thinking that. And what if I let that be true? Like let's say like, what if that's true? Then what? Many years ago, I stopped dieting and the concept that made me finally stop dieting was the idea of if you were just whatever the body is that you're trying to change your body into. If it was just that, no matter what you ate, no matter how much you worked out, what would you eat? How would you work out? And I was like, well, I wouldn't, interesting. I wouldn't diet, but I'd probably get like really sick of binging after a few days. And then maybe I'd like listen to my own cues and maybe I wouldn't punish myself with my workouts. Like to the point of injury, maybe I would like go into nature and,
recognize that I'm able-bodied and what a gift that is. And like it instantly, when I separated my activities and the way in which I fed myself from trying to control what my body looks like, it was, I was like, oh, I actually would live completely differently. And if I let go of the concern of, do they think I earned this or not? Or the concern of, did I actually earn this or not? And I just let that be a like, let's say I didn't, but I'm here now. What's possible? I love what you said. Like, okay, yeah. Like, here, you know, what if I didn't earn this, but almost like, what can I do with it? Yeah. You know?
Let's agree that like- Try your best. Yeah. And do something with what you're given, you know. Yeah. And bring others along with you. Yeah. Do you mind if I ask, like, how you measure your own success? You know, bank account. No. I mean, a lot of different things. Like, okay, it's the first thing that came to my mind when- When you ask that was like something that I believe is that legacy is totally out of your control like legacy is something that other people determine but what is in your control is is contribution and And your actions around that and so that's the sort of like it's a wonderful life framework is definitely a way to view
Success in one's life. We was the it's a wonderful life framework. Well, it's like George Bailey was he thought he was a failure because he never left his town and he took over the family business and he Didn't go and become a war hero and all of that and he just felt like his his life didn't really add up too much I mean, it's really existential like he's he's on the verge of of taking his life and he meets an angel, Clarence, and he kind of shows him what life would have been like if he never existed. And by the end of it, George Bailey, having seen all the things that would have happened to all the people that he loved if he didn't exist, it realized really the value of his life and that it wasn't about whether or not he had financially made it.
it was really about the relationships and ways in which he showed up for other people. And so at the end of the movie, he's had this realization and he's finally appreciating what he had taken for granted prior to that. It is a testament to the power of being a part of a community and being invested in the health and sustainability of that community. You know, I grew up in a family that was in the history books, you know, my grandmother, her, well, her legacy is so many things. It's so many things. I'm sorry. I'm such a dork. I was like the second, the second you said it, I was like, oh my God, the black and white ball, the black and white ball. Like it's just like literally in her honor, in her honor.
I mean, yeah, the list is long, right? It's crazy. And I'm sure that's like the smallest thing. Like I've read about her being like, what's up with this thing? Yeah, totally. But it's, yeah, you know, I mean, one of the things I think about, you said legacy is out of your control. And I used to define success as kind of if you didn't do something that was important enough to be in the history books, then you had failed. I really grew up, you know, Into my 20s maybe even 30s thinking that that like if I didn't do something that meaningful and important than like I hadn't done something worthwhile But then if you actually looked back at my grandmother's career Like the reason she took over the post which is a family business, you know, my great-grandfather bought it and then my
grandfather, married my grandmother and took it over and then he ended up committing suicide. And the reason why she ended up in the position that she was in, you know, first female CEO of a Fortune 500 company and Watergate and the Pentagon Papers and all these things wasn't a choice. It was because the worst thing that had ever happened to her happened, right? And she just...
manage to embrace it and then manage to make good decisions in really hard circumstances. But it's not like she designed her life trying to be in a history book, you know? And I think part of what I hear you saying when you're talking about contribution versus legacy is, you know, let's assume no one's ever gonna fucking remember anything that you do, you know, that like who's thinking about you or that nothing you do matters, but what you do every day matters, right? And what, and it's very much like over the last 10 years how I've changed that.
conversation with myself about success, which is, first of all, the history books are full of people that didn't mean to be there. And I feel like what you can control is what you decide and what you do with what you are given, which I really resonate with, you know, in terms of what you were saying. You talked about like kind of the privilege of being raised by someone so warm and sounds like kind, but I'm curious, like, talk about sort of what you took from that family. Yeah. So yeah, I feel just really lucky because my dad's parents were such good parents and so ethical and so had those like depression era farmer mentality of zero entitlement.
And of course, also like serving and being part of the Air Force and all of that. That's the household that my dad grew up in. And then my mom and dad, they got together when they were 16 years old. And so, mom's parents are great too. But I feel really lucky because they handled themselves very well because they never expected to become...
successful or wealthy or anything like that themselves. And I've watched people consistently live below their means, finding ways to actively be part of bolstering a larger community, giving back, making really hard choices as parents, like doing all the things that like...
you just wish you didn't have to do as parents, but you do. It's like the thing like, I wish I could just give you the credit card, but I'm not gonna do that. They didn't take shortcuts. They didn't take shortcuts as parents. And so it's like just that alone, the privilege of coming from a family that is loving and that is kind and that is moral and that is trying hard and that wants to grow and get better together.
is such a gift. I mean, those are small things, but I... They're values. Yeah, yeah, I really value it. The other thing that is so unique and has been such a huge part of my life is because my dad was a child actor and became a child actor because his dad was bringing him to his work, my dad brought me to his work and I'm the oldest of four. And my siblings, it's...
Me and then my sisters who are four years younger than me, they're twins and then my brother who's six years younger than me. And so by the time my sisters were born, I was just with my dad just non-stop. My dad was like, I'll take her because like it's a lot. A lot of kids. Yeah. And because he was the director, he was in a position where it was okay for as long as the child was behaved, the child was allowed to be on set.
And oh my God, the things that I learned and the things that I got to be witness to and it's just incredible. It's absolutely incredible. What do you think are the biggest things you learned from him? I realize the list is probably really long, but like things that shaped you professionally. He has a real lack of ego and entitlement.
My mom has also cultivated that very perfect, like very powerfully within him. A good marriage. Yeah, exactly. He cares, I think he cares about the right things. Okay, so here like, I'll just be, I'll be a little specific. Yeah, do it. So the industry has gone through a lot of changes and...
The money people make is really different and the amount of time that they have to prepare for things and access to resources for things. It's it's just profoundly different and it Like I remember my dad joking recently being like I'm making the same money. I made 1981 You know, it's it's just it's a it's a paradigm shift that needed to happen that needed to happen and he has been throughout it so focused on the craft of his work and excellence within his work and a lack of entitlement and understanding that I mean the way he talks about it that he caught the gravy train and then that wasn't normal and that that was fortunate and that things need to shift and if he wants to keep working he needs to be able to compete and seeing him do what it takes to do that and then
On the flip side, he does these, he does a very rigorous screening process that very few directors do because he has focus groups and is like every week getting people to tell him what isn't working about his movie. And it's like an incredibly painful process because it's like you're getting You're getting feedback from folks who have very little context and it can be very harsh. And, um, and it hurts because it's about something that you really care about, but it's the thing that makes it better. And he is my God. I mean, it's not that he's made of steel because it still hurts. Like there are things that he can quote directly from folks and focus groups. Um, his favorite is, is someone who saw Paula 13 and.
was insisting that it was just such Hollywood BS that they would have never survived. It's a true story. But he operates from a place of humility and curiosity and with a desire to, yeah, do his best.
in the given circumstances. I don't know if that was like the sexiest thing, but I just, he's really, he's a super, super solid person. And he's also, he's a good person. Like sometimes like if I like say something to him that seems a little like gossip or like judgmental, like he'll check me. Like he'll check me. He'll be like, don't talk about an actor in an audition like that. And I was like, Whoa. Like if someone like didn't have a strong audition, there's this one instance many, many, many, many, many, many years ago where I was like, yikes for this one audition. And he was like, you can't like no laughing at auditions. If it's not working, you go, you go next. You need to have respect. Yeah. It's so interesting. You're as I knew you would.
changing the way I think about a lot of things as we're talking but I would say probably the greatest privilege I have is being raised by like two incredible parents obviously also you know getting to see the form of leadership that my grandmother role modeled but like my dad in particular like I always say this when my friends are.
talking about being bad parents. And I'm like, you know, my dad was in home every night for dinner and he definitely had to work on the weekends sometimes. And you know what he did is he took me to the office and he sat me down and he made me answer the mail with him, you know? And my dad was famous. My dad's famous, similar to your dad for being a really wonderful person.
But one of the things he was famous for back in the day when people wrote letters was writing really long responses when people complained about things in the newspaper. He didn't take it personally, but he took it on as like part of his job. Yeah. I remember in middle... He took it to heart. Yeah, he took it to heart, exactly. And he, I remember in middle school, some parody reporter like sent him a letter and then he wrote back a seven page letter and the guy published the letter that he sent and my dad's letter making fun of my dad. And I remember reading it and being really proud because I was like, yeah.
this is who my dad is. My dad is a thoughtful, authentic, caring person who takes everything that in some ways you should take seriously, seriously. And, you know, that, I mean, when my dad sold the post, they put a plaque up in the elevator and it said like in this elevator, Don Graham greeted people by name 347,462 times. And it was just because like he, that's one of the things he's known for is always remembering like your name and your spouse's name and your kid's name and their dog's name. And like, saying good morning to every single person, you know. And I think those role models, like almost more than the other kinds of privilege, like have shaped how I move through the world, which it sounds like is the same for you with your dad. Completely, completely, completely. And it's, and that's one of those, those little kind of like secret advantages. And I think it's, I think that people
just for themselves as parents, thinking about how you operate in the world and the integrity with which you go about your business, it's going to impact how the rest of your family operates and the opportunities that your family are going to get.
I always say you want to be the person that everybody wants to work with again. And you want to be the person where when somebody leaves and goes to another job, they think, oh, I want to take that person with me. And I think part of what you're saying is, you build a brand for yourself, and that brand also has ripple effects. But part of it is just that relationships are one of the most powerful things in the world and how people remember you and how they think of you.
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The phrase nebo baby well it feels like it showed up overnight You know, but I know that you you you said to me at some point like we used to be called Hollywood royalty And now we're called nebo babies like just talk about that experience for you and also how you think about that like conversation in the world Yeah, I like light up around this conversation Because it's so It's so crucial. So, yeah, the term, when I was kind of coming up in, I'm 45 now, I first started working professionally, first in theater and Broadway and off-Broadway and then in film in my early 20s. That was kind of when I broke in. And when I broke in, I remember in interviews, people would always be like, as Hollywood royalty. And often they would frame it in a way where it would be like,
Was it hard? Was it hard growing up as Hollywood royalty? I'm like, what if these people imagined my childhood? It was amazing. I highly recommend it. Like, I mean, it's, it's, it's yeah, the advantages are, are significant. And it was very clear, but it was very interesting to me how it seemed to be framed. Like, do you feel pressure? It's like, wow, isn't that a champagne problem?
You know, oh, people are looking at me. I have people's attention. Isn't that the thing people work decades for to get in an entertainment scenario? So the term nepo baby is perfect. And I'm going to share, I'm going to share why. Now this is good polarizing and I'm going to say why it's perfect for me, for me. Um, it needs to sting. There are huge systemic.
inequalities within industries, in particular the entertainment industry that have not been looked at and evaluated and torn down. So there was an article that came out in New York Magazine in December of 2022 that talked about NEPA babies.
in a way that made it part of the cultural conversation. And it was specifically NAPO babies as it pertains to the entertainment industry. And it was a hot topic and a hot moment because we were not yet in the strikes, but we were gearing up for the strikes. And we were seeing how production was down in Los Angeles. People weren't getting paid anymore.
the pilot season had disappeared. There were so many less opportunities, and the few opportunities that there were often would go to people who were insiders. And so it was crucial to identify it in a way that stung, in a way that isn't like legacy professional or second or third generation. It needed to have a stickiness to it so that people could start really investigating it.
and really looking at it, and it's opening up ways to evaluate. I mean, early on a lot of folks would be like, well, doesn't that exist in every industry? And it's like, well, there are apprenticeships that exist. There were more apprenticeships that used to exist.
But are they paid or are they unpaid? And kind of that research and development period of time in people's careers, like who's subsidizing that? And is there a structure within an industry to subsidize that? Or is it really the people who are secretly getting helped by their parents or people in their community that they had access to that others don't?
So I love this. I just want to say it's not actually what I thought you were going to say about Nephobabies. But I think your point about like it should sting is so both like right and interesting because part of what I take away from that, but I'm curious if this is what you mean is it should sting because you should sit in that position of privilege and think, how can I?
earn this or how can I deserve this or maybe those aren't the right words. What am I gonna do with this? What am I gonna do with this? What's next? Yeah, in a way that like I obviously didn't do anything to get all of this. So like how do I use this platform like whether it's to help others or to like create a set of stairs that let other people come up here. Yeah. Yeah. It is about growing up.
It's really about growing up and it's interesting that the term itself is sort of infantilizing yeah, and It's interesting because it is so connected to one's identity as it pertains to often parentage. Yeah, and And you asked earlier like how do you take ownership over? something or your own career all of that and it is this very tricky thing because you don't want to pretend that you're self-made when you're not. Very few people are actually. And yet you also need to, like there's work that needs to be done and there needs to be a sense of confidence and focus and commitment and authority in that work.
But ideally that work isn't in response to, I need to make my own way, I want to prove, it's just like, no, this is the hand that I was dealt. What game am I going to play in a way that is going to evolve the human species? I just want to say it's wild to me that you're one year older than me, because I really feel like I'm talking to an incredibly wise big sister. Oh my gosh, no, that's crazy. No, I think that I've struggled.
for a lot of my life to not play that game of just like, no, I need to earn this on my own. I need to basically pretend like I'm self-made. And in deep contrast to like, I'm so proud of my family and my father is my hero and like all these things and I've just never really known how to live with both of those things, you know, both that I work really hard and I've, you know, done a lot in the last 20 years, but also that I came from somewhere that gave me a lot. And you, yeah, you've really helped me just even in this conversation, but it's really powerful to think about, like, how to just live that as one identity instead of two, you know? Yeah, it's something that I'm constantly...
unpacking because of the monopoly game, because it's like, oh my gosh, we're so blind. We're so blind to our own advantages and what that means in the larger picture. But it's also not, it doesn't need to be like a, and therefore I feel so guilty about it. I think that's a huge trap that I definitely fell into a lot and can fall into that.
And then also when you feel like, oh, the expectation is that I am giving all this money, but they don't realize that it's like, no, no, no, no, no, no, no, no, no, no, no. There are so many more things that can be done in addition to financially contributing. And if people trust you more than they trust other people because you come from a family, we'll use that trust. Take some risks.
that someone else can't take because they they're only going to get one shot and you're going to get more than one shot. Blow a chance to potentially have a talent show up because it is really important also. I guess this is just like the last thing I'll say because it's like any of this being self congratulatory at all makes me want to like throw up because the takeaway is we we all have access to our own experiences that are very specific and very unique and finding ways to share that access with others who don't have it is of profound value. And people have done that with me. And that's how communities work. Yeah. No, I agree. I think that's definitely one thing I've taken away is like...
You don't pick where you come from, what you pick is what you do with it. Yeah. You know? Yeah. Brice, I'm so grateful to you for making time for this conversation. Oh, my gosh, Sam. Thank you. It's really fun. Really, really fun. So fun. Really great. Thank you so much. Yeah. Work Life is a production of Ted and Pushkin Industries. This episode was produced by Isaac Carter and Leah Rose. Ban Ban Shang is our story editor. Mixing by Hans Dale Shee. Ted's executive producer is Daniela Ballerazzo.
Constanza Gallardo is the executive producer for Pushkin. Special thanks to Roxanne Hylash, Valentina Bohanini, Laini Lat, Tansika Sungmanivong, and Ashley Murphy. If you like the show and want more, come join the discussion on my sub-stack, Lessons. I'm Molly Graham. Thanks for listening. Got a business problem? There's a TED Talk for that. Stay updated on everything business on TED Business, a podcast hosted by Columbia Business School Professor, Modupe Acanola.
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